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	<title>Fake Pretty &#187; Politics</title>
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		<title>Went to @WhitneyMuseum, saw some stuff, loved Sharon Hayes</title>
		<link>http://fakepretty.com/2012/09/went-to-whitneymuseum-saw-some-stuff-loved-sharon-hayes/</link>
		<comments>http://fakepretty.com/2012/09/went-to-whitneymuseum-saw-some-stuff-loved-sharon-hayes/#comments</comments>
		<pubDate>Wed, 05 Sep 2012 23:19:23 +0000</pubDate>
		<dc:creator>prettyfake</dc:creator>
				<category><![CDATA[Art and Artifice]]></category>
		<category><![CDATA[Feminist]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[Politics]]></category>

		<guid isPermaLink="false">http://fakepretty.com/?p=318</guid>
		<description><![CDATA[At first, Sharon Hayes&#8217; &#8220;There&#8217;s So Much I Want To Say To You&#8221; was profoundly annoying. Her room at the Whitney is filled with picket...]]></description>
				<content:encoded><![CDATA[<p>At first, Sharon Hayes&#8217; &#8220;There&#8217;s So Much I Want To Say To You&#8221; was profoundly annoying. Her room at the Whitney is filled with picket signs and plywood platforms, approximating the type of two-bit constructions one might see on the campaign trail. The title of the exhibit is pretentious and affected, and viewing staged &#8220;protest&#8221; in a museum setting seems to rob it of its authenticity and validity.</p>
<p>However, Hayes work requires closer inspection than my knee-jerk reaction. Listening to her monologue, &#8220;Everything Else Has Failed, Don&#8217;t You Think It&#8217;s Time for Love?&#8221; initially performed outside the UBS Bank in Midtown Manhattan in 2007 actually added something to the representations of protest one is likely to come across in main-stream media. In the audio piece, Hayes is addressing an unknown lover, and talking about the hope and disappointment protest can bring. The simultaneous desperation and resignation in her monologue resonated with me. People don&#8217;t just take to the streets because they are angry, they take to the streets because they are miserable, because their dreams have been broken, because they don&#8217;t know what else in the world to do.</p>
<p>Performing a speech on the street to a lover is about as raw and desperate as the act of protest itself.</p>
<p>In another room, video projections showed Hayes attempting to recite the words of Patty Hearst, an heiress kidnapped by the Symbionese Liberation Army in 1974 . Hayes fails to memorize all of the words Hearst says, but is assisted by an unseen crowd of onlookers who coach her untill she gets the words just right. In addition to being a fascinating look into a history, Hayes performance shows the transformation effected by a crowd, as the onlookers coach her. It&#8217;s unclear who is actually controlling the speech.</p>
<p>When she was arrested, Hearst was said to have suffered from Stockholm syndrome, wherein she identified with her captors. In Hayes&#8217; performance, it&#8217;s hard to say if it was the syndrome talking, or some more righteous part of Hearst that felt the SLA&#8217;s demands to feed Los Angeles&#8217; poor were somewhat noble.</p>
<p><div id="attachment_341" class="wp-caption alignnone" style="width: 810px"><a href="http://fakepretty.com/wp-content/uploads/2012/09/PattyHearstmug.jpeg"><img class="size-full wp-image-341" title="Patty Hearst mugshot" alt="Patty Hearst mugshot" src="http://fakepretty.com/wp-content/uploads/2012/09/PattyHearstmug.jpeg" width="800" height="544" /></a><p class="wp-caption-text">Patty Hearst&#8217;s mugshot</p></div></p>
<p>In one of the most interesting and understated pieces of the exhibit, Hayes has collected quotes about women&#8217;s voices throughout history. The quotes show the ways in which different female voices are categorized and qualified often in conjunction with or disjunction to the speaker&#8217;s femininity. The phrases appear in an approximately 11-inch square corner of wall space, projected on the wall to be read as cultural projections. They represent times, eras and speakers that are left unidentified, but the words have a unified and familiar quality to them. Some of the statements refer to Hillary Clinton&#8217;s voice, others to that of Simone De Beauvoir. Each quote is its own fascinating anthropological study of femininity. The quote that I have collected refers to Hayes herself, and is taken from a <a href="http://www.nytimes.com/2012/06/29/arts/design/sharon-hayes-solo-show-at-the-whitney.html?pagewanted=all" target="_blank">New York Times</a> article reviewing the show, in which the piece in question was not mentioned.</p>
<blockquote><p>Her performances and sound installations mash up soapbox rants and romantic monologues, diatribes and cris de coeur, all delivered in her own bell-clear, strident voice.</p></blockquote>
<p>Yes, the voice in which Hayes&#8217; work is delivered is &#8220;her own,&#8221; but only loosely. Her voice is the voice of Patty Hearst, it is the voice of the anonymous, it is the voice of a disillusioned but sensitive generation, it is the voice of the downtrodden yet incredibly unique American everyman. Yayoi Kusama was okay too.</p>
<p><a href="http://whitney.org/Exhibitions/SharonHayes" target="_blank">See Hayes&#8217; Work at the Whitney through Sept. 9</a></p>
<dl>
<dd>Image Source: Sharon Hayes (b. 1970), still from Symbionese Liberation Army (SLA) Screeds #13, 16, 20 &amp; 29, 2003. Four screen video projection, color, sound. Courtesy the artist and Tanya Leighton Gallery (From Whitney website)</dd>
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		<title>Raining on the Michelle Obama parade</title>
		<link>http://fakepretty.com/2012/09/raining-on-the-michelle-obama-parade/</link>
		<comments>http://fakepretty.com/2012/09/raining-on-the-michelle-obama-parade/#comments</comments>
		<pubDate>Wed, 05 Sep 2012 21:18:40 +0000</pubDate>
		<dc:creator>prettyfake</dc:creator>
				<category><![CDATA[Your Mom]]></category>
		<category><![CDATA[Zeitgeist]]></category>
		<category><![CDATA[FLOTUS]]></category>
		<category><![CDATA[Journalism]]></category>
		<category><![CDATA[Politics]]></category>

		<guid isPermaLink="false">http://fakepretty.com/?p=334</guid>
		<description><![CDATA[Last night, First Lady Michelle Obama gave a rousing speech at the Democratic National Convention. She seemed to leave no stone unturned, providing what pundits...]]></description>
				<content:encoded><![CDATA[<p>Last night, First Lady Michelle Obama gave a rousing speech at the Democratic National Convention. She seemed to leave no stone unturned, providing what pundits are calling &#8220;humanizing&#8221; details about her husband.</p>
<p>However, in addition to taking a moment to dwell on the spellbinding nail polish FLOTUS was sporting (it was a lovely blue- grey, which we will be attempting to purchase later), we would like to highlight some problematic aspects of the evenings&#8217; affairs.</p>
<p>The First Lady&#8217;s speech focused on Whitney Houston-esque &#8220;I believe the children are our future&#8221; rhetoric, which we have seen and heard so many times before, but in this particularly disturbing economic climate, her words (and the words of San Antonio Mayor Julian Castro who spoke before her) were earth-shatteringly depressing. Both Castro and Obama spoke of the sacrifices their parents and grandparents had made in order to create a better life for them. Castro talked about how his grandmother, an immigrant, worked all sorts of odd jobs so that his mother could get an education, and how his mother had made sacrifices that had afforded him the opportunities he had in life.</p>
<blockquote><p>My grandmother&#8217;s generation and generations before always saw beyond the horizons of their own lives and their own circumstances, Castro said. &#8220;And that&#8217;s the middle class—the engine of our economic growth. With hard work, everybody ought to be able to get there. And with hard work, everybody ought to be able to stay there—and go beyond.</p></blockquote>
<p>What about those of us who are not doing as well as our grandparents? Should we blame ourselves? It was as if Castro was saying that we should have modest dreams now, and have babies (sons?) who <em>might</em> someday be lucky enough to have a future. But how are we going to afford those adorable babies, and what if (God forbid) we don&#8217;t want to have them? It was as if he was saying that people who are dissatisfied with and focused on their current situations are just being short-sighted.</p>
<p>Mrs. Obama echoed a similar tale, discussing the life of Barack&#8217;s grandmother:</p>
<blockquote><p>Barack’s grandmother started out as a secretary at a community bank…and she moved quickly up the ranks…but like so many women, she hit a glass ceiling.</p>
<p>And for years, men no more qualified than she was – men she had actually trained – were promoted up the ladder ahead of her, earning more and more money while Barack’s family continued to scrape by.</p>
<p>But day after day, she kept on waking up at dawn to catch the bus…arriving at work before anyone else…giving her best without complaint or regret.</p>
<p>And she would often tell Barack, “So long as you kids do well, Bar, that’s all that really matters.</p></blockquote>
<p>No. What matters is that you, grandma, are being discriminated against! How can you teach your grandchildren to stand up for injustice if you don&#8217;t take up the fight?</p>
<p>In both of these instances, stories centered around women sacrificing all they had so that their children could succeed. Mrs. Obama consistently identified herself as a &#8220;Mom,&#8221; which is all well and good, but quite frankly, this type of self-sacrificing motherhood being celebrated as the norm is extremely problematic. It might be argued that Mrs. Obama herself has sacrificed (or rather altered) her own ambitions so that her husband could live out his dream. Granted, many women would happily quit jobs to be FLOTUS, still, seeing ones own identity defined by her husband&#8217;s job may give even the most liberated woman pause.</p>
<p>Of course the story about Barack&#8217;s grandmother was used to illustrate how personally important the Lilly Ledbetter Fair Pay Act was to the President. Some day, the little boy raised by his grandmother will grow up to save womankind!</p>
<p>In other problematic ideas, Mrs. Obama shared some of the things she and her husband had learned.</p>
<blockquote><p>&#8220;We learned about dignity and decency, that how hard you work matters more than how much you make&#8230;That the truth matters, that you don&#8217;t take shortcuts or play by your own set of rules.</p></blockquote>
<p>It&#8217;s as if she was trying to slip some things by us! Dignity: awesome, decency, yes, &#8220;that how hard you work matters more than how much you make&#8221; wait, what? Tell that to unpaid interns. Tell that to minimum wage workers who earn $7.25 per hour in New York City. Tell that to the unemployed who have full-time jobs looking for work!</p>
<p>Then, she reels us back in again with &#8220;Truth matters,&#8221; yes, something we all agree on. &#8220;You don&#8217;t take shortcuts or play by your own set of rules,&#8221; she slips in. We should totally play by the rules we have right now, because they are obviously working so well and so fast!</p>
<p>Couldn&#8217;t it be argued that many entrepreneurial ventures or even civil rights struggles were the direct result of people playing by their own sets of rules? This idea that &#8216;government rule makers know what is best&#8217; casts President Obama as the father who reads letters everyday from 10 Americans (his children) and then wisely decides what is best for us. While we can only hope this will be what happens, Mrs. Obama&#8217;s trust in Government seemed to be in direct contrast with the campaign Obama waged four years ago with his almost revolutionary focus on &#8220;change.&#8221;</p>
<p>While it was nice to see the Obamas try to cast themselves in stark contrast to wealthy Republican presidential candidate Mitt Romney, the contrast may not have been stark enough. Mrs. Obama may have been a touch too deferent, portraying her family as too accepting of the great injustices that have created the class divide in America. As Mrs.Obama frighteningly said of her family:</p>
<blockquote><p>They didn’t begrudge anyone else’s success or care that others had much more than they did&#8230;in fact, they admired it.</p></blockquote>
<p>Image: First Lady Michelle Obama addresses the Democratic National Convention in Charlotte, N.C., on Tuesday, Sept. 4, 2012. (AP Photo/J. Scott Applewhite)</p>
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